This provides some chorus-like movement within the reverb engines. The Modulation control has an X-Y pad for controlling the Depth and Rate of the Modulation. The Reflections engine also has an Angle and Lowpass, while the medium and large engines have Attack, Crossover, and Damping controls. The Advanced controls for the all three engines include Time, Size, and Diffusion.
Advanced SettingsĬlicking the arrow button on the reverb engine controls folds out the Advanced settings menu, which provides a lot more granular control over each of the three engines. Each of the three engines also has a Space control available on the main display. Dragging the node on the Blend Pad alters the levels of the three reverbs in tandem. The medium reverb has three selectable models – Room, Medium Chamber, and Plate – while the longest reverb has Large Chamber or Hall options. The indigo blue at the top are short, early reflections, the violet in the lower left is for reverb tails from the medium reverb, and the reddish orange of the lower right is for long-tail reverbs.
The biggest and brightest controls of the bunch are in the Blend Pad and three accompanying reverb engine controls. Neoverb comes with a healthy complement of controls for dialing in its three different sizes of reverb. Overall, all the controls are available at-a-glance or one level deep, and the tooltips provide enough insight to get started quickly. Below all of this sits a tabbed three-band parametric EQ with Pre EQ and Reverb EQ tabs for controlling input and output settings.
On the right are a Modulation control panel, pluis Pre-Delay, Smooth, Dry/Wet, and output Level controls. Off to the left are some basic level controls for the Blend Pad’s three reverb types, with a fold-out menu for advanced settings. The main feature is the colorful Blend Pad at the interface’s center, which is reminiscent of the Anemone in VocalSynth.
Along the top are a preset loader, button for Reverb Assistant, plus plugin settings and help menus. Neoverb has the same signature black and dark grey background, light-colored text, and brightly-colored controls of other iZotope offerings. Can the power of iZotope’s signature AI help you dial in the perfect reverb? Let’s check it out. Does the world really need another reverb plugin? Today, we’re going to find out in my review of iZotope’s newest release, Neoverb. Also, every DAW comes with at least one reverb option – if not several. There are a lot of reverb plugins on the market.